Shattered dreams amid the Mindanao conflict

 

Shattered dreams amid the Mindanao conflict

 

Troubled  relationships and  shattered dreams  amid  the  Mindanao conflict served as the plot of four competing full-length films for this year’s Cinemalaya  Independent Film Festival.  

After a two-year wait as a result of the series of COVID-19  lockdowns,  Cinemalaya finally returned as   a face-to-face event   with  a full-length feature category for eleven films, including four  Mindanao-themed films:  The Baseball Player, Angkas, 12 Weeks,  and  Bula sa Langit.  

“The Baseball Player” tells the story of  Amir (Tommy Alejandrino) , a 17-year-old Moro child with dreams of becoming a baseball player but who has to train as a soldier for the Moro rebels.

Khalid (JM San Jose) is  a young boy survivor of an armed conflict who is adopted  by  Amir’s  family. The presence  of Amir as his new “older brother” opened  the path to healing.

Unfortunately, another all-out war against Moro rebels breaks out, and he is confronted with making a choice between pursuing his dream or fighting in the war.

In “Angkas” ,  Leo (Joem Bascon) is not just an ordinary habal-habal driver. He is the resident ambulance and delivery man in a remote village in Compostela Valley

One day, he  is hired to transport the dead down the mountain. His estranged friend Miguel (Benjamin Alves)   joined Leo in fetching the corpse of Ditas (Meryll Soriano), their childhood friend who is a rebel pursued by the military.

As Leo and Miguel embark on a dangerous journey in a habal-habal, their fragile friendship will be tested, and they will encounter danger only to be saved by an unlikely hero.

In “12 Weeks”,  Alice (Max Eigenmann)  a single  40-year-old woman is working with a non-government organization (NGO) which is organizing a relief mission to the Bakwits or evacuees due to the Marawi siege.

She discovers she is pregnant after breaking up with her boyfriend (Vance Larena).  With her age and current relationship status, her first instinct is to have the pregnancy terminated. As her body undergoes dramatic changes, Alice struggles and needs to decide whether she wants to be a mother or not.

The fetus is most vulnerable during the first 12 weeks. During this period of time, all of the major organs and body systems are forming and can be damaged if the fetus is exposed to drugs, infectious agents, radiation, certain medications, tobacco and toxic substances, in addition to emotional stress.

 

“Bula sa Langit”  tells the story of a young soldier (Gio Gahol) who returns from Marawi war  to find himself  heavily disturbed by one of his traumatic kills . Despite his excitement to come home,  Wesley struggles to reconnect his present relationships with his family and girlfriend (Kate Alejandrino) while celebrating the town fiesta.

 

The contemporary armed conflict in Mindanao can be traced to the pre-martial law period of the late 1960s when the Moro youth and their political leaders demanded an end to discrimination and oppression and  the return of their ancestral homeland.

The conflict was sparked by discrimination and human rights violations under President Marcos’ dictatorship.

Many armed groups fought against the government to establish an independent Muslim region on the island of Mindanao.

Thousands were killed in the decades-long insurgency that ensued.

At the heart of the conflict in Mindanao lies deep-rooted prejudices against the  Muslim and indigenous population.

The conflict  is seen as the  result of social inequity and the skewed distribution of resources, including land grabbing which was a main issue for the Muslims, wrong policies and corruption, and the historical prejudice against the Muslims resulting further to unfulfilled aspirations which had consequently led to violent conflicts.

The Marawi  siege was a five-month-long armed conflict  that started on May 23, 2017 between Philippine government security forces and militants affiliated with the  Islamic State of Iraq and Syria  (ISIS), including the Maute and Abu Sayyaf Salafi jihadist groups.

It has forcibly displaced 98 percent of the total population of the city, as well as residents from nearby municipalities.

The almost slice-of-life stories in these four films  showed how the armed conflict threatens to tear away the lives,  hopes, and dreams of the  characters caught in the crossfire.

Breaking these “bonds of social injustice and oppression”  through a conflict  that has been going on for decades is never the solution.

 

 

The  films, often called “indie films”,  embody Cinemalaya’s vision : “the creation of new cinematic works by Filipino filmmakers“ works that boldly articulate and freely interpret the Filipino experience with fresh insight and artistic integrity.”

 

It also aims to invigorate the Philippine filmmaking by developing a new breed of Filipino filmmakers.