Cinemalaya 2012 and my scoreboard

 "So ano best film mo?". the question tossed to me from   actress Tessie Tomas, the  same question  she usually ask to me   during the annual cinemalaya screenings. "Lagi ka naman dito eh." Cinemalaya is an all-digital film festival and competition that aims to discover, encourage and honor the cinematic works of Filipino filmmakers that boldly articulate and freely interpret the Filipino experience with fresh insight and artistic integrity.


 Now on its Eight  (8th)  year, my scoreboard for total films watched during the
2012 Cinemalaya filmfest is nineteen  (19) films, 10 new breed, 5 directors cut, 2 sets of shorts, the opening film and a special screening Cultural Center of the Philippines (CCP) .  This year i chose to buy again  the festival pass The pass is not applicable in Greenbelt screenings.FYI,  I watched eighteen films in the 2010 Cinemalaya  while 21 films on 2011 Cinemalaya. 

 The Directors Showcase is open to full length feature works by Filipino directors who have directed at least three full-length commercial feature films. 

The synopsis of the above films can be seen in my blog for the Cinemalaya schedules


My marathon schedule for the 19  films during the Cinemalaya 2012  period from July  20 to July 29, 2012 . was as follows:

 July 20, 615   ANG BABAE SA BREAKWATER by Mario O Hara

July 21 330     Diablo by Mes de Guzman,

           615     Intoy Syokoy by Lem Lorca

           900     Kamera Obskura by Raymond Red

July 22 330     Apparition by Vincent Sandoval and Darlene Malimas, 

           615     REQUIEME by Loy Arcenas

           900     Shorts A

July 23615        Oros by Paul Sta. Ana,

           900       Bwakaw by Jun Lana

July 24 615     Kalayaan by Adolfo Alix

           900     Santa Nina by Emmanuel Q. Palo.

July 25  615       Ang Katiwala (The Caretaker) by Aloy Adlawan

           900     Mga Mumunting Lihim by Joey Reyes

July 26  330    Posas by Lawrence Fajardo

July 29  615        Dayo (Alien) by Julius Sotomayor Cena,

           900        THE ANIMALS by gino Santos

July 28 330      Requieme

           615      Ang Nawawala (What Isn’t There) by Marietta “Marie” Jamora,  

           900      Shorts B

July 29 330  Give Up Tomorrow

An article from Manila Bulletin gave a good summary of the awards:

Mes de Guzman’s “Diablo” and Jose Javier Reyes’ “Mga Mumunting Lihim” under the New Breed and Directors Showcase categories, respectively, are this year's biggest winners with four Balanghai trophies each.

“Mga Mumunting Lihim,” Reyes’ independent film debut, won Best Editing, Best Screenplay, and both the Best Supporting Actress and Best Actress nods for the ensemble cast composed of Judy Ann Santos, Agot Isidro, Janice de Belen and Iza Calzado. On the other hand, “Diablo” clinched the Best Cinematography, Best Actress, Best Director and Best Film awards. It was also hailed one of the two NETPAC awardees this year, along with Jun Robles Lana's entry, "Bwakaw" which was part of the Directors Showcase category.

Still under the Director’s Showcase, “Mga Mumunting Lihim” is followed by Raymond Red’s “Kamera Obskura” and Adolfo Alix Jr.’s “Kalayaan” with three awards apiece. “Kamera Obskura” took home the Balanghai trophies for Special Jury Prize, Best Original Musical Score and Best Director; while the other received those for Best Sound, Best Production Design and Best Cinematography.

Meanwhile, Lawrence Fajardo’s “Posas” received the honors for Best Supporting Actor and Best Film. Apart from the NETPAC award, “Bwakaw” also received the trophy for Best Actor, and was hailed the Audience’s Choice under this category.

As for the New Breed, Loy Arcena’s “Requieme!” and Lem Lorca’s “Intoy Syokoy ng Kalye Marino” comes after “Diablo” with two awards each. These are Best Screenplay and the Special Jury Prize; and Best Production Design and Best Supporting Actor, respectively.
Vincent Sandoval’s “Aparisyon,” Gino Santos’ “The Animals,” Emmanuel Quindo Palo’s “Sta. Nina,” Paul Sta. Ana’s “Oros” and Marie Jamora’s “Ang Nawawala” was given a Balanghai each for Best Sound, Best Editing, Best Supporting Actress, Best Actor and Best Original Musical Score, respectively. Jamora’s entry was also named the New Breed Audience’s Choice.

Conversely, Jarell Serencio won Best Film under the Short Feature category, while Sheron Dayoc was hailed Best Director for “As He Sleeps.” Sigrid Andrea Bernardo’s “Ang Paghihintay sa Bulong” and Richard Legaspi’s “Manenaya” also got a Balanghai for Best Screenplay and the Special Jury Prize, respectively. Hannah Espia’s “Ruweda” was hailed the Short Feature Audience’s Choice.

In all, there were 25 competing films this year: five under the Directors Showcase category, 10 under Short Films category and 10 under the New Breed category. All the winners received the coveted Balanghai trophies and cash prizes. Here is the complete list of winners in the Cinemalaya Independent Film Festival 2012:

FULL LENGTH (NEW BREED OF DIRECTORS) CATEGORY:

Best Film: “Diablo”
Special Jury Prize: “Requieme”
Audience Choice: “Ang Nawawala”
Best Director: Mes de Guzman “Diablo”
Best Actress: Ama Quiambao, “Diablo”
Best Actor: Kristoffer King, “Oros”
Best Supporting Actress: Anita Linda, “Santa Niña”
Best Supporting Actor: Joross Gamboa, “Intoy Syokoy ng Kalye Marino”
Best Screenplay: Rody Vera, “Requieme”
Best Cinematography: Tristan Salas, “Diablo”
Best Production Design: Benjamin Payumo, “Intoy Syokoy ng Kalye Marino”
Best Editing: John Wong and Rona delos Reyes, “The Animals”
Best Original Music Score: Mikey Amistoso, Diego Mapa, and Jazz Nicolas, “Ang Nawawala”
Best Sound Recording: Albert Michael Idioma, “Aparisyon”
NETPAC Awardee: “Diablo”

DIRECTORS SHOWCASE CATEGORY:

Best Film: “Posas”
Special Jury Prize: “Kamera Obskura”
Audience Choice: “Bwakaw”
Best Director: Raymond Red, “Kamera Obskura”
Best Actress: Iza Calzado, Janice de Belen, Judy Ann Santos and Agot Isidro (ensemble), “Mga Mumunting Lihim”
Best Actor: Eddie Garcia, “Bwakaw”
Best Supporting Actress: Iza Calzado, Janice de Belen, Judy Ann Santos and Agot Isidro (ensemble), “Mga Mumunting Lihim”
Best Supporting Actor: Art Acuna, “Posas”
Best Screenplay: Jose Javier Reyes, “Mga Mumunting Lihim”
Best Cinematography: Albert Banzon, “Kalayaan”
Best Production Design: Adolfo Alix Jr., “Kalayaan”
Best Editing: Vanessa de Leon, “Mga Mumunting Lihim”
Best Original Musical Score: Diwa de Leon, “Kamera Obskura”
Best Sound: Ditoy Aguila, “Kalayaan”
NETPAC Awardee: “Bwakaw”

SHORT FILMS CATEGORY:

Best Film: “Victor”
Special Jury Prize: “Manenaya”
Audience Choice: “Rueda”
Best Director: Sheron Dayoc, “As He Sleeps”
Best Screenplay: Sigrid Andrea Bernardo, “Ang Paghihintay sa Bulong”

Cinemalaya and Fides Cuyugan

For two consecutive years, i watched two independent films in Cinemalaya that featured a  classical music legend , Fides Cuyugan-Asensio. If last year, she immortalized the  dreamish words "Gigising si Gaspar! Gigising si Gaspar!" in the Cinemalaya indie film “Nino” by Director Loy Arcenas, this year i will remember her for "Ipagdasal na lang natin. Lahat ng nangyayaring ito  ay may dahilan" for her portrayal as Mother Superior in the film "Aparisyon". 

Cinemalaya has always been my favorite venue for watching excellent acting, especially from veteran film and stage performers who effortlessly shine in their meticulous characterization of roles.

Aside from Fides Cuyogan-Asencio  also starring in “Aparisyon” are Jodi Sta. Maria and Mylene Dizon, , Racquel Villavicencio, and Rustica Carpio. The Vincent Sandoval entry explores, in a historical-fiction narrative, the Philippine religious women’s shifting perception of their societal roles during the volatile political climate of early 1970s Philippines. Here is the synopsis of the film:
Unsettled by the stirring of a political conciousness among the nuns in her monastery, a mother superior finds herself in a morally conflicted position after one of the young nuns falls victim to an act of violence.

This  film was shot in a monastery somewhere in Rizal for 8 days. This is a very interesting film specially for those who lived during the Martial Law era. “Aparisyon“ tells the story of contemplative nuns insulated from the ways of the world. Considering their vocation and the distance of their monastery from the city, their bout with brutality was a shocking improbability. The complexities in the life of Sister Remy (Mylene Dizon), an extern nun ­ one who is assigned to run errands outside the monastery for her superiors ­ brought on the tragic-dramatic turn of events in the story. Sister Remy and a newbie nun, Sister Lourdes (Jodi Sta. Maria), figure in a nightmarish scene where Remy manages to escape, but Lourdes unfortunately does not, wreaking havoc on the once-serene monastery life. From hereon, the plot thickens and the (dark) heart of this dramatic thriller unfolds.

In my blog last year for Nino, i wrote that I believe the role of Celia was tailor-made for Fides Cuyugan-Asensio, what with the character’s penchant for opera singing and the like. I also like the representation of the Sto. Nino in child performer Jhiz Deocareza while he is running around the old house with a wood sword and caped/crowned just like the Child Jesus. And in a family drama like this, you can’t help but be engrossed not only with the story, but with how differing personalities are fleshed out on the big screen. I like the scene of the gathering of old friends who sang to Gaspar serenading him as if it is a grand opera night before he died. 

I then noted that Music is also papa's world and passion. He will always sing to us old songs of his generations. He brags that he always won during competitions and his fond memories with his guitars and choirs. I vividly remember when i was a child is his penchant to singing of lullabyes for us to sleep. Then on weekends our house will be filled with reverberating music from his collection of long playing albums of old songs. 

After seeing the film last Sunday, I approached Fides Cuyugan and told her that i liked very much her role. I even mentioned to her that i had two brothers who are priests thus the religious life is not difficult for me to fathom. I oftenly have encounters with the priests, seminarians, and nuns as i am in essense one of their benefactors, a commitment which my parents did when they were still alive.

 I remember the story oftenly told by my father when he was alive, of how proud he was of us, his children. He often stressed that he had nothing to give to us but our future. We did not have money but we had the respect of people, especially the fact that two of his sons entered the priesthood, Fr. Philip and Fr. Stephen. I am still not used to calling them Father, i still prefer "Kuya Wel and Bengbeng In 1999 when i passed my bar exams, the same year . my elder brother, Kuya Welthy or now Fr. Philip, was ordained as priest. Fr.Stephen was ordained in 2008. At first Mama could not accept the fact that two sons chose to serve the lord but later realized, according to Papa, that they gave up two sons but regained the whole religious order as their new sons and daughters. Tuwang-tuwa sya pag tinatawag sila na Papa and Mama Gorecho.The story has it that if there is one priest in the family, the whole clan is blessed up to the third generation. In our case, we not only had one but two brothers into priesthood who belong to the same order, Oblates of Allaince of Twin Hearts (OATH), although they belong to the conservative group of the religious people.  

Fides Cuyugan is more known in the classical music world than in cinema. She  brought classical and Broadway music to Philippine television via her landmark shows “Sunday, Sweet, Sunday” (1969 to 1974) and “A Little Night of Music” (1989 to 2001). And that was really i fondly remembered her   since i normally saw posters of her classical music concerts during my college days in UP Diliman.   

Then she refreshed my memory  that she was in Oro Plata Mata,  a 1982 multi-awarded Filipino film directed by Peque Gallaga, and is considered his most significant contribution to Philippine cinema. It was shown several times during the early of the UP Filmcentre. Set in the Philippine province of Negros during World War II, it tells the story of how two haciendero families cope with the changes brought about by the war.In translation, the movie is also known either as "Gold, Silver, Bad Luck" or "Gold, Silver, Death."  In the film, Fides plays the role of Inday Lorenzo who along with girl friends Jo Russell (Maya Valdez),  Nena Ojeda (Liza Lorena), and  Dona Viring(Lorli Villanueva) try to deny the realities of war by preserving their pre-war lifestyle of playing mahjong and engaging in other activities enjoyed by women of their station. A scene to remember is Fides being raped by Melchor (Abbo de la Cruz), Inday's trusted foreman.  After being offended by a slap from Inday, he takes Inday to a room and repeatedly beats and rapes her, his noble-born former mistress.And she was suited for the role, perhaps in the same manner that her two roles in Nino and Aparisyon which she did  three decades later.     

"Magdasal na lang tayo!" reverberates Fides Cuyugan's lines. Faith is always the best weapon.   

CINEMALAYA 2012 screenings schedule

To all indie film addicts, here is the schedule of  Cinemalaya 2012. Gala Screening is the screening where the director, writer(s), producer(s), cast members and special guests are in attendance. Same ticket system apply.Now on its eighth year, Cinemalaya is a project of the Cinemalaya Foundation, Cultural Center of the Philippines, Film Development Council of the Philippines and Econolink Investments, Inc. It is an all-digital film festival and competition that aims to discover, encourage and honor cinematic works of Filipino filmmakers that boldly articulate and freely interpret the Filipino experience with fresh insight and artistic integrity

The ten finalists in the New Breed Full-Length Feature category are: Ang Katiwala (The Caretaker) by Aloy Adlawan, Ang Nawawala (What Isn’t There) by Marietta “Marie” Jamora, Oros by Paul Sta. Ana, Apparition by Vincent Sandoval and Darlene Malimas, Dayo (Alien) by Julius Sotomayor Cena, Diablo by Mes de Guzman, Lola Igna by Eduardo W. Roy Jr., MNL 143 by Emerson Reyes, REQUIEME by Loy Arcenas, and Santa Nina by Emmanuel Q. Palo.

The five finalists in the Directors Showcase are: Bwakaw by Jun Lana, Kalayaan (Wildlife) by Adolfo B. Alix Jr., Kamera Obskura by Raymond Red, Posas by Jeffrey Jeturian, and Mga Mumunting Lihim by Jose Javier Reyes. The Directors Showcase is open to full length feature works by Filipino directors who have directed at least three full-length commercial feature films.

LEGEND:
MT : CCP MAIN THEATRE (Tanghalang Nicanor Abelardo)
LT : CCP LITTLE THEATRE (Tanghalang Aurelio Tolentino)
THB : CCP STUDIO THEATRE ( Tanghalang Huseng Batute)
DT : CCP DREAM THEATRE (Tanghalang Manuel Conde)
MKP : CCP MKP Hall
TRI : TRINOMA Cinema 1
GB-3 : GREENBELT 3 Cinema 3
GB-5 : GREENBELT 3 Cinema 5
_________________________________________

 CINEMALAYA 2012 NEW BREED FULL-LENGTH COMPETITION


INTOY SYOKOY NG KALYE MARINO by Lemuel Lorca 
July 21: 12:45PM – THB / 6:15PM – MT
July 22: 12:45PM – MKP / 6:15PM – TRI
July 23: 1:30PM – TRI / 9:00PM – GB-3
July 24: 3:30PM – THB
July 25: 3:30PM – MT / 9:00PM- MKP
July 26: 4:00PM – GB-3
July 27: 1:30PM – GB-5 / 6:15PM – LT
July 28: 9:00PM – GB-5
July 29: 11:00AM – TRI
GALA: July 21, Sat 6:15PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)








REQUIEME! by Loy Arcenas
July 21: 1:30PM – GB-3 / 6:15PM – THB
July 22: 6:15PM – MT
July 23: 12:45PM – MKP / 6:30PM – TRI
July 24: 1:30PM – GB-5 / 9:00PM – MKP
July 25: 9:00PM – GB-3
July 26: 12:45PM – THB / 6:30PM – GB-5
July 27: 12:45PM – MT / 6:30PM – GB-5
July 28: 3:30PM – LT
July 29: 4:00PM – TRI
GALA: July 22, Sun 6:15PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)






OROS by Paul Sta. Ana 
 July 21: 1:30PM – TRI / 6:15PM – MKP
July 22: 1:30PM – TRI / 6:15PM – THB
July 23: 6:15PM – MT
July 24: 12:45PM – MKP / 6:30PM – TRI
July 25: 4:00PM – GB-5 / 9:00PM – LT
July 26: 12:45PM – MT / 9:00PM – GB-3
July 27: 9:00PM – GB-5
July 28: 10:00AM – THB / 4:00PM – GB-3
July 29:
GALA: July 23, Mon 6:15PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)




ANG KATIWALA by Aloy Adlawan
 July 21: 12:45PM – MKP / 9:00PM – GB-3
July 22: 6:30PM – GB-5
July 23: 3:30PM – THB
July 24: 3:30PM – MT /9:00PM – TRI
July 25: 1:30PM – GB-5 / 6:15PM – MT
July 26: 9:00PM – LT
July 27: 1:30PM – GB-3 / 6:15PM – MKP
July 28: 4:00PM – TRI / 9:00PM – THB
July 29: 1:30PM – GB-5
GALA: July 25, Wed 6:15PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)

 SANTA NIñA by Emmanuel Quindo Palo 
 July 21: 6:30PM – GB-5
July 22: 9:00PM – MKP
July 23: 12:45PM – LT / 6:15PM – THB
July 24: 4:00PM – GB-5 /9:00PM – MT
July 25: 4:00PM – GB-3 / 9:00PM – TRI
July 26: 12:45PM – MKP
July 27: 1:30PM – TRI /6:15PM – THB
July 28: 11:00AM – TRI / 3:30PM – MT / 9:00PM – GB-3
July 29:
GALA: July 24, Tue 9:00PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)

 
  

 APARISYON by Vincent Sandoval 
 July 21: 9:00PM – TRI
July 22: 3:30PM – LT
July 23: 12:45PM – MT
July 24: 1:30PM – GB-3 / 9:00PM – GB-5
July 25: 12:45PM – THB / 6:15PM – MKP
July 26: 1:30PM – GB-5/ 6:15PM – MT
July 27: 12:45PM – MKP / 9:00PM – GB-3
July 28: 11:00AM – GB-5 / 6:15PM – THB
July 29: 1:30PM – TRI
GALA: July 26, Thu 6:15PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)





 DIABLO by Mes de Duzman 
 July 21: 11:00AM – GB-5 /3:30PM – LT
July 22: 12:45PM – MT
July 23: 4:00PM – TRI / 9:00PM – MKP
July 24: 4:00PM – GB-3 / 9:00PM – THB
July 25: 6:30PM – TRI
July 26: 9:00PM – MT
July 27: 4:0PM – GB-5
July 28: 12:45PM – MKP / 6:30PM – GB-3
July 29: 12:45PM – THB / 9:00PM – GB-5
GALA: July 22, Sun 12:45PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)





MGA DAYO by Julius Sotomayor Cena 
 July 21: 1:30PM – GB-5 / 9:00PM – LT
July 22: 3:30PM – MT
July 23: 1:30PM – GB-3 / 6:30PM – GB-5
July 24: 1:30PM – TRI / 6:30PM – GB-3
July 25:
July 26: 3:30PM – MKP / 9:00PM – TRI
July 27: 3:30PM –THB / 6:15PM – MT / 9:00PM – MKP
July 28: 6:30PM – TRI
July 29: 3:30PM – THB
GALA: July 27, Fri 6:15PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)





THE ANIMALS by Gino M. Santos 
 July 21: 12:45PM – MT
July 22: 4:00PM – TRI / 9:00PM – GB-5
July 23: 1:30PM – GB-5 / 6:15PM – MKP
July 24: 9:00PM – LT
July 25:
July 26: 1:30PM – GB-3/ 6:15PM – THB
July 27: 3:30PM – MKP / 9:00PM – MT
July 28: 12:45PM – THB / 9:00PM – TRI
July 29: 11:00AM – GB-5 / 9:00PM – GB-3
GALA: July 27, Fri 9:00PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)


  


ANG NAWAWALA by Marie Jamora 
 July 21: 3:30PM – MT / 9:00PM – GB-5
July 22: 12:45PM – THB
July 23: 6:15PM – LT
July 24: 9:00PM – GB-3
July 25: 12:45PM – MKP / 3:30PM – THB
July 26: 1:30PM – TRI / 9:00PM – MKP
July 27: 9:00:PM TRI
July 28: 11:00AM – GB-3 / 6:15PM – MT
July 29: 1:30PM – GB-3 / 4:00PM – GB-5
GALA:  July 21, Sat 3:30PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)




______________________________________________


Cinemalaya 2012 DIRECTORS SHOWCASE

KAMERA OBSKURA by Raymond Red
 July 21: 4:00PM – GB-3 / 9:00PM – MT
July 22: 1:30PM – GB-5 / 4:00PM – GB-3 / 9:00PM – THB
July 23: 6:30PM – GB-3
July 24: 6:15PM – MKP
July 25: 6:30PM – GB-5
July 26: 4:00PM – TRI
July 27: 3:30PM – MT
July 28: 12:45PM – LT / 3:30PM – THB / 9:00PM – MKP
July 29: 9:00PM – TRI
GALA: July 21, Sat 9:00PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)






BWAKAW by Jun Robles Lana
 July 21: 11:00AM – TRI / 3:30PM – MKP
July 22: 11:00AM – GB-3 / 3:30PM – THB / 9:00PM – TRI
July 23: 4:00PM – GB-3 / 9:00PM – MT
July 24: 6:15PM – THB
July 25: 6:30PM – GB-3
July 26: 3:30PM – MT / 6:15PM – MKP
July 27:
July 28: 1:30PM – GB-5 / 6:15PM – LT
July 29: 6:30PM – GB-5
GALA: July 23, Mon 9:00PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)





POSAS by Lawrence Fajardo
 July 21: 3:30PM – THB
July 22: 1:30PM – GB-3 / 4:00PM – GB-5 / 9:00PM – MT
July 23: 3:30PM – MKP
July 24: 12:45PM – MT / 6:30PM – GB-5
July 25: 4:00PM – TRI
July 26: 3:30PM – LT / 9:00PM – THB
July 27: 6:30PM – TRI
July 28: 1:30PM – GB-3 / 6:15PM – MKP
July 29: 6:30PM – GB-3
GALA:  July 22, Sun 9:00PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)

 


KALAYAAN by Adolfo B. Alix Jr.
 July 21: 11:00AM – GB-3 / 4:00PM – GB-5 / 9:00PM – THB
July 22: 12:45PM – LT / 9:00PM – GB-3
July 23: 12:45PM – THB / 9:00PM – TRI
July 24: 3:30PM – MKP / 6:15PM – MT
July 25: 1:30PM TRI / 9:00PM – GB-5
July 26:
GALA:  July 24, Tue 6:15PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)








MGA MUMUNTING LIHIM by Jose Javier Reyes
 July 21: 12:45PM – LT / 6:30PM – GB-3
July 22: 11:00AM – TRI / 3:30PM – MKP
July 23: 3:30PM – MT / 9:00PM – GB-5
July 24: 12:45PM – THB
July 25: 6:15PM – THB / 9:00PM – MT
July 26: 6:30PM – TRI
July 27: 4:00PM – TRI
July 28: 4:00PM – GB-5
July 29: 11:00AM – GB-3 / 3:30PM – MKP
GALA: July 25, Wed 9:00PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)




______________________________________________

Cinemalaya 2012 SHORT FILM COMPETITION

 
SHORTS A: Victor, Balintuna, Mientras Su Durmida, Pasahero, Bohe:Sons of the Waves 
July 21: 4:00PM – TRI
July 22: 6:15PM – MKP / 9:00PM – LT
July 23: 9:00PM – THB
July 24: 4:00PM – TRI
July 25: 12:45PM – MT / 3:30PM – MKP
July 26: 4:00PM – GB-5 / 6:30PM – GB-3
July 27: 12:45PM – THB / 6:30PM – GB-3
July 28: 10:00AM – MT / 6:30PM – GB-5
July 29: 4:00PM – GB-3
 GALA: July 22, Sun 9:00PM at Tanghalang Aurelio Tolentino (CCP Little Theater)

 
SHORTS B: Ang Paghihintay sa Bulong, Manenaya, Ruweda, Sarong Aldaw, Ulian
July 21: 10:00AM – MT / 9:00PM – MKP
July 22: 11:00AM – GB-5 / 6:30PM – GB-3
July 23: 4:00PM – GB-5
July 24: 6:15PM – LT
July 25: 1:30PM – GB-3 / 9:00PM – THB
July 26: 3:30PM – THB / 9:00PM – GB-5
July 27:
July 28: 1:30PM – TRI / 9:00PM – MT
July 29: 12:45PM –MKP / 6:30PM – TRi
GALA: July 28, Sat 9:00PM at Tanghalang Nicanor Abelardo (CCP Main Theatre)

For the trailers,

 General Ticket Information: Regular Price: Php150/head per screening Discounts available for the ff: 50% off for students (CCP Screenings only) 20% off for Senior Citizens 20% off for Government & Military Personnel Festival Passes (available for CCP Screenings only): One Day Pass (Php700.00) - includes admission to 4-6 screenings for 1 day; priority lane entry to screening venues in CCP Festival Pass (Php2000.00) - includes admission to all competition films; priority lane entry to screening venues in CCP; complimentary souvenir program & subscription to e-newsletter Flexi Pass (Php3000.00) - includes admission to all competition films + 8 exhibition films of your choice; priority lane entry to screening venues in CCP; complimentary souvenir program & subscription to e-newsletter Premium Pass (Php5000.00) - guaranteed accommodation to all Festival screenings, Congress & Forums; guaranteed accommodation to the Opening & Closing Awards Nights; priority lane entry to screening venues in CCP; access to VIP Lounge; invitations to Festival receptions, parties, & special events; complimentary souvenir program & subscription to e-newsletter