Showing posts with label film festivals. Show all posts
Showing posts with label film festivals. Show all posts

Sunday, August 14, 2022

Sa Letrang B - baseball, boxing, BINGO

 

Sa Letrang B - baseball, boxing, BINGO

 

Baseball, boxing, Bingo – games that start with the letter “B”  became interesting  plots of  three competing full-length films for this year’s Cinemalaya  Independent Film Festival.  

After a two-year wait as a result of the series of COVID-19  lockdowns,  Cinemalaya finally returned as   a face-to-face event   with  a full-length feature category for eleven films, including  the “B” films: “THE BASEBALL PLAYER,”   “GINHAWA” and  “RETIRADA”.

THE BASEBALL PLAYER tells the story of  Amir (Tommy Alejandrino)  who is a 17-year-old Moro child with dreams of becoming a baseball player but has to train as a soldier for the Moro rebels.

Khalid (JM San Jose) is  a young boy survivor of an armed conflict who is adopted  by  Amir’s  family. The presence  of Amir as his new “older brother” opened  the path to healing.

Unfortunately, another all-out war against Moro rebels breaks out, and he is confronted with making a choice between pursuing his dream or fighting in the war.

 

Director Carlo Obispo narrates that armed conflicts ruin the basic necessities of life. Families are broken apart, opportunities are lost. Dreams – especially those of the children, if they even had the chance to have any – are shattered. 

Children are always the most vulnerable. The impact of war adversely affects the life trajectory of the young ones.  The film is made to take a closer examination of the distressing battles children have to fight because of the decisions that adults make.

The almost slice-of-life story  showed how the armed conflict threatens to tear away the lives,  hopes, and dreams of the  characters caught in the crossfire.

 

GINHAWA tells the journey of Anton (Andrew Ramsay)  as an aspiring boxer.

He hopes to continue the legacy of his older brother Saul who was given a chance to escape poverty by joining a competition in the city but later faced tragedy.

Against his mother’s (Ruby Ruiz)  wishes, Anton leaves their small fishing town to pursue boxing in Manila where he unravels the ugly truth of the brutal sport.

Director Christian Paolo Lat narrates that  Ginhawa is not only about the fight in the ring that a boxer has to overcome but it is about  what happens outside the ring – the system, the politics, and the daily struggles of the poor in the Philippines.

Boxing is an escape and a fight from the harsh realities of a third world country.

Lat notes that Ginhawa presents the day to day struggle that these fighters go through in their village, in their community and in their family who are constantly facing the plague of poverty. Regardless of the deadly consequences, lack of government funding and knowledge in general, these boxers continue to chase after their dreams in the hopes of a better future.

Andrew Ramsay is the brother of actor Derek Ramsay. He studied in New York Film Academy, John Lennon School in UK, and Liverpool Institute of Performing Arts.

I am not a fan of boxing but I remember as a young boy my grandfather would bring me to boxing matches at the Rizal coliseum.  Instead of cheering for the fighters, I would sleep most of the time. When I travel abroad, local people would always mention the name of Manny Pacquiao whenever I tell them that I am a Filipino.

 

RETIRADA tells the story of Azon (Peewee O’Hara ) who experiences melancholia as she adjusts to her life as a retired government employee. Azon becomes a regular Bingo player hoping to duplicate her initial windfall. But her new sense of purpose and the adrenaline rush from her new hobby would teach her what retirement really means.

Directors spouses Milo and  Cynthia Paz  said that Retirada explores life’s meaning and purpose in the face of old age and death. It touched upon how retirees struggled to live out their senior years after retiring from an active day to day work life.

 In a society where being young and active is given more merit, growing old can lead to a sense of alienation and even depression as one contemplates one’s own mortality.

The entries, often called “indie films”,  embody Cinemalaya’s vision : “the creation of new cinematic works by Filipino filmmakers“ works that boldly articulate and freely interpret the Filipino experience with fresh insight and artistic integrity.”

 

It also aims to invigorate the Philippine filmmaking by developing a new breed of Filipino filmmakers.

 

With the theme “Breaking Through the Noise,”  the other eight competing full length films include Kaluskos,  12 Weeks,   Angkas,   Bakit Di Mo Sabihin?, Batsoy,  Blue Room; Bula sa Langit,  and  Kargo.  The short film section has  twelve  competing entries.

 

Sunday, August 16, 2015

2015 Cinemalaya Film Festival




The winners of the 2015 Cinemalaya Independent Film Festival and Competition were announced on August 15 at the the Cultural Center of the Philippines (CCP) Tanghalang Aurelio Tolentino.

This year's competition was only held for the short film category. The winners are:
  • Best Screenplay: Papetir
  • Audience Choice: Sanctissima
  • Best Film: Pusong Bato (Stone Heart)
  • Best Direction: Lisyun Qng Geografia (Geography Lessons)
  • NETPAC Prize: Wawa
  • Special Jury Prize: Wawa

The films in competition were:
  • Apasol (Chasing Sun) by Ryanne Murcia
  • Gatilyo ng Baril by Glenmark Doromal and Eero Yves Francisco
  • Kyel by Arvin Belarmino
  • Lisyun Qng Geografia (Geography Lessons) by Petersen Vargas
  • Mater by Annemikami Pablo
  • Nenok by Milo Tolentino
  • Papetir by Darwin Novicio
  • Pusong Bato (Stone Heart) by Martika Ramirez Escobar
  • Sanctissima by Kenneth Dagatan
  • Wawa by Anj Macalanda
The winner of the Audience Choice Award will receive P25,000, while the winner of best film will receive P150,000. All the winners will receive the Balanghai trophy.


The finalists for the Full-Length Feature category for Cinemalaya 2016 were also announced at the event. These finalists will receive production grants of P700,000 each. The winner of the best film for this category will also receive P250,000. The finalists for Full-Length Feature are:
  • Ang Bagong Pamilya Ni Ponching by Inna Salazar and Victor Villanueva
  • Ang Mga Bisita ni Mamang by Janice O'Hara and Denise O'Hara
  • Dagsin by Atom Magadia
  • Hiblang Abo by Ralston Jover
  • I America by Ivan Andrew Payawal
  • Kusina by David Corpuz and
  • Lando at Bugoy by Vic Acedillo, Jr
  • Mercury is Mine by Jason Paul Laxamana
  • Pamilya Ordinaryo by Eduardo Roy, Jr
  • Tuos by Derick Cabrido
The Cinemalaya Film Festival, which is on its 11th year, is a project of Cinemalaya Foundation, Inc. and the CCP. This year, the festival ran from August 7 to 15 at the CCP and Greenbelt (Rappler)













Thursday, October 10, 2013

De tu ventana a la mía



I guess this is a very powerful movie i saw in the ongoing Pelicula Spanish filmfest in greenbelt. Best for women's cause , including Breast Cancer campaigns. De tu ventana a la mía is a film of interwoven emotions and struggles of three women of different generations aiming to build the lives they desire, their own future, love and dreams. All of them lose the love of their lives and they will have to pursue their happiness and fight for their dignity in a dark and hostile word http://www.youtube.com/watch?v=LpvVMJOezR0




Monday, September 2, 2013

Sineng Pambansa NFF 2013 "All-Masters Edition"

  

The country’s most accomplished film directors - with respective bodies of work that have spanned decades to substantially form part of Philippine cinema heritage - join forces for Sineng Pambansa National Film Festival 2013, presented by the Film Development Council of the Philippines (FDCP) in cooperation with SM Cinemas. The All-masters film festival is set to be screened at all SM Cinemas from the 11th to the 17th of September. 
            Each director used respective provinces as the backdrop for their films, highlighting the beautiful vistas as well as real urban settings to be found around the country, as each teem with life and come with stories to tell.
            Dubbed the All-Masters Edition, this year’s Sineng Pambansa festival, presents the following list of films:
 
“Otso”
Director: Elwood Perez
Synopsis:
            Hoping to reconnect with his roots by returning back to Manila, Lex writes a screenplay for an indie film based on the secret lives of his neighbors next door. Facts and his own artistic infusions all clash together as he discovers that reinterpreting real life isn’t always a good thing.
“Ang Tag-Araw ni Twinkle”
Director: Gil M. Portes
Synopsis:
            The rebellious Twinkle Marie’s life is about to get turned on its head due to a visit from an, unbeknownst to her, biological father with secrets to share. Entering into a tailspin of drugs, sickness, and lies forces her to reevaluate and asses things, then ultimately deciding on what’s truly important.
“Tinik”
Director: Romy V. Suzara
Synopsis:
            This is a sober and impartial study of homosexuality through the story of a middle-aged gay couturier and his attempts at keeping his dignity amidst the dilemmas and problems brought upon by his homosexuality.


“Bamboo Flowers”
Director: Maryo J. Delos Reyes
Synopsis:
            The actual chandelier-shaped bamboo flowers that blossom only before death inspire this anthology about the lives of different people in Bohol, who have to deal with the ever changing world around them. The erosion of traditions and beliefs forces change in their lives and pushes them towards drastic life decisions.
“Lauriana”
Director: Mel Chionglo
Synopsis:
            Set in 1955, the residents of a small idyllic village in Quezon are jolted to discover the dark, disturbing secret of a soldier and his common-law wife. Guilt and recrimination abound in the town and forces our protagonist into a six decade long journey of remorse, forgiveness and retribution.
“Sonata”
Directors: Peque Gallaga and Lore Reyes
Synopsis:
            “Sonata” is the story of a woman whose whole life is her art, but when she loses it she goes into a self-exile, only to be, hopefully, reinvigorated by a young boy daring to bring it all back.
“Eman”
Director: Tikoy Aguiluz
Synopsis:
            This is a coming of age story about Emmanuel A. Lacaba, the brilliant young poet who dared to dream through his words and joined the armed struggle of 1975, cementing him not only as just poet but also a patriotic warrior.

“Badil”
Director: Chito S. Roño
Synopsis:
            Acting as a window into how flawed our basic political right has become, the film follows Nonoy as he takes over his Father, the Kapitan’s, duties as guardian to committed voters harassed by vote buyers on the eve of the election.

“Lihis”
Director: Joel Lamangan
Synopsis:
            Set in the 70’s during the darkest hours of Philippine History, we follow the story of two young NPA warriors who find themselves entangled in a web of frustration, despair and victory as they fight not only for democracy but also their love for each other.
“Ano Ang Kulay ng mga Nakalimutang Pangarap”
Director: Jose Javier Reyes
Synopsis:
            Concerned with themes of loyalty, old age, mortality and memories, the film traces the life of Teresa, a nanny who has dedicated sixty years of service to a middle class family at the expense of her own happiness and fulfillment. Though upon the death of the family patriarch, Teresa’s fate is now up in the air as the family decides what sort of future is to come.
~~~
 
OTSO

Directed by: Elwood Perez
Starring: Anita Linda, Vangie Labalan, Vincent Tañada
Synopsis: Hoping to reconnect with his roots in the city of his birth, Lex returns to Manila. He writes a screenplay for an indie film based on his neighbors in a flat he moves into and what he believes is going on behind their closed doors…but are they really the people he thinks they are?
He realizes that his perceptions are in conflict with the objective facts. Is it even possible to create a work of fiction that is true to the facts when the very act of writing entails reimagining those facts? In the process, he discovers that his illusions of filmmaking, romance and the city itself are at odds with the truth
- See more at: http://www.dalebacar.com/2013/08/sineng-pambansa-national-film-festival.html#sthash.A2W0uKjk.dpuf
Here is the complete list of entries of the 2013 Sineng Pambansa National Film Festival featuring the "master auteurs" of Philippine cinema.
The festival will run from September 11-17, 2013 exclusively at SM Cinemas. Please note that on these dates, only festival entries will be shown at SM Cinemas nationwide.

Update: 08292013 Updated movie information based on the National Film Festival Press Kit.
- See more at: http://www.dalebacar.com/2013/08/sineng-pambansa-national-film-festival.html#sthash.A2W0uKjk.dpuf
Here is the complete list of entries of the 2013 Sineng Pambansa National Film Festival featuring the "master auteurs" of Philippine cinema.
The festival will run from September 11-17, 2013 exclusively at SM Cinemas. Please note that on these dates, only festival entries will be shown at SM Cinemas nationwide.

Update: 08292013 Updated movie information based on the National Film Festival Press Kit.
- See more at: http://www.dalebacar.com/2013/08/sineng-pambansa-national-film-festival.html#sthash.A2W0uKjk.dpuf
Here is the complete list of entries of the 2013 Sineng Pambansa National Film Festival featuring the "master auteurs" of Philippine cinema.
The festival will run from September 11-17, 2013 exclusively at SM Cinemas. Please note that on these dates, only festival entries will be shown at SM Cinemas nationwide.

Update: 08292013 Updated movie information based on the National Film Festival Press Kit.
- See more at: http://www.dalebacar.com/2013/08/sineng-pambansa-national-film-festival.html#sthash.A2W0uKjk.dpuf

1st Cine Filipino Film Festival



18-24 September 2013
Gateway Cineplex
Newport Cinemas of Resorts World Manila 
Lucky Chinatown Mall (Binondo)



PUTI by Miguel 'Mike' Alcazaren
Mike Alcazaren is a freelance television commercial director. He has won several Ad Congress awards and a First Prize in the 2007 Carlos Palanca Awards for Literature. His film Puti follows the story of a counterfeit painter who figures in a freak car accident that rendered him color blind. While recuperating, he starts seeing strange images.

MGA ALAALA NG TAG-ULAN by Ato BautistaAto Bautista is no rookie in the indie circuit, having won acclaim and recognition for his films such as Blackout (2007) and Carnivore (2008). For CineFilipino, Bautista presentsMga Alaala ng Tagulan, , a coming-of-age love story about a young man’s first encounter with love, romance, and heartbreak, told in bits and pieces of poetic and melancholic memories that began on one rainy night.

THE GUERILLA IS A POET by Sari Raissa Dalena and Kiri DalenaWith Guerilla Is A Poet, the sibling duo of Sari and Kiri Dalena weaves an intricate tale of an activist’s journey during the turbulent years of Martial Law, until his capture in the mountains and the dark, nine years of imprisonment that followed, leading to his birth as a poet.

TANG HULING CHA-CHA NI ANITA by Sigrid Andrea BernardoSigrid Bernardo's Ang Huling Cha-Cha Ni Anita tells the story of a 12-year old Anita who falls in love with the new woman in town; years later, a girlhood crush blossoms during the Fiesta of Santa Clara in Obando, Bulacan.

THE MUSES by Janice PerezJanice Perez’s directorial debut Sabongero (2009) was screened at the short film corner at the 2009 Festival de Cannes. She also directs and writes for commercial projects here and abroad. Her entry for CineFilipino is entitled The Muses, a story of sibling rivalry in the music business where two sisters find the hidden truths about fame, family and their own selves.

ANG KWENTO NI MABUTI by Ramon 'Mes' De GuzmanMes de Guzman is an independent film director and scriptwriter who have won several Palanca awards for scriptwriting. His film Ang Kwento Ni Mabuti tells the story of a healer named Mabuti, who despite her poverty, still looks at life positively. Everything changes, however, when she finds a bag containing a huge stash of money.

ANG TURKEY MAN AY PABO RIN by Randolph LongjasIn Ang Turkey Man Ay Pabo Rin, Randolph Longjas presents a cross-cultural comedy about a Filipino-American couple who celebrates life with karaoke music, superstitious in-laws, immigration laws, unexpected pregnancies, brown-outs, Thanksgiving turkey, with some love on the side.

BINGOLERAS by Byron 'Ron' BryantRon Bryant is one the fortunate ones who have had chance to work with the late Celso Ad Castillo. Back in 2009, he made his first full length documentaryThe Cinema of Celso Ad Castillo as an ode to the great director. His CineFilipino entry Bingoleras is a comedy about six single women, whose lives intersect when a bingo marathon is launched in their church for the barangay fiesta, turning expectations and relationships upside down and inside out.

Saturday, December 29, 2012

Thy Womb

To film addicts, have you seen Thy Womb? A film about a Badjao midwife’s quest to find her husband a second wife who can bear him a child. Nora Aunor and Brillante Mendoza were named MMFF Best Actress and Best Director, respectively But their film was inexplicably snubbed for the Best Picture prize despite winning five other awards perhaps due to poor boxoffice tickets sales. Well, art is obviously different from profits.

Saturday, July 16, 2011

Confession of a Cinemalaya addict....




"So ano best film mo?". the question tossed to me from   actress Tessie Tomas, the  same question  she usually ask to me   during the annual cinemalaya screenings. "Lagi ka naman dito eh." Cinemalaya is an all-digital film festival and competition that aims to discover, encourage and honor the cinematic works of Filipino filmmakers that boldly articulate and freely interpret the Filipino experience with fresh insight and artistic integrity.

 Now on its Seventh (7th)  year, my scoreboard for total films watched during the
2011 Cinemalaya filmfest is a staggering twenty one (21) films, mostly at the Main Theater of Cultural Center of the Philippines (CCP) .  This year i chose not to buy the festival pass since I was planning to watch  other films   in Greenbelt but i ended watching them all in CCP.The pass is not applicable in Greenbelt screenings.FYI,  I watched eighteen films last year during ten-day 6th  Cinemalaya run from July9-18, 2010.


The synopsis of the above films can be seen in my blog for the Cinemalaya schedules

My marathon schedule for the 21 films during the Cinemalaya 2011  period from July 15 to July 23 was as follows:

 Friday, July 15 -     7:00 p/m. Maskara
Saturday, July 16 - 3: 30pmTeoriya (Father’s Way)   6: 15pm Nino;  9:00 p.m. - Paglipad ng Isang Anghel
Sunday,July 17 -  3:30pm Bisperas (Eve) ;  6:15pm Shorts A  (Nino Bonito ,    Oliver’s  Apartment , Samarito , Un Diutay Mundo   and Walang Katapusang Kwarto); 9:00 a.m. Amok (Amok) ;
 Monday , July 18. 6:15pm I-libings: Your Loss, Our Luck (E-funerals);   9:00p.m.- Isda (Fable of the Fish)
Tuesday July 19 - 3:30 p.m. Busong (Palawan Fate);6:15pm, Ang Babae sa Septic Tank; 9:00p.m. Cuchera
Thursday July 21 - 6:15pm. Shorts B (Debut  Every Other Time;Hanapbuhay ;  Hazard, Immanuel)             
                                    9:00p.m. Ligo na U, Lapit Na Me 
Friday July 22 -  6:15pmAng Sayaw ng Dalawang Kaliwang Paa; 9:00p.m Nono 11:45 Ombre 
Saturday July 23-  3:30 p.m.  Patikul; 6:15pm Bahay Bata;  9:00pm  Rakenrol; 11:45 Zombadings 1   Patayin sa Shokot si Remington





Here's the list of winners of the Cinemalaya 2011:

FULL LENGTH (NEW BREED OF DIRECTORS) CATEGORY:


Best Feature:
"Nino"
Special Jury Prize: "Nino"
Audience Choice: "Ang Babae sa Septic Tank"
Best Director: Marlon Rivera ("Ang Babae Sa Septic Tank")
Best Actress: Eugene Domingo ("Ang Babae Sa Septic Tank")
Best Actor: Edgar Allan Guzman ("Ligo Na U, Lapit Na Me")
Best Supporting Actress: Shamaine Buencamino ("Nino")
Best Supporting Actor: Art Acuna ("Nino")
Best Screenplay: Chris Martinez ("Ang Babae Sa Septic Tank")
Best Cinematography: "Ang Sayaw ng Dalawang Kaliwang Paa"
Best Production Design: Laida Lim ("Nino")
Best Editing: Lawrence Fajardo ("Amok")
Best Original Music Score: Christine Muyco and Gemma Pamintuan ("Ang Sayaw ng Dalawang Kaliwang Paa")
Best Sound Recording: Mike Idioma ("Amok")
Cinemalaya 2011 Winners List compiled by Noypistuff

DIRECTORS SHOWCASE CATEGORY:

Best Film - "Bisperas"
Audience Choice: "Patikul"
Best Director: Aureaus Solito ("Busong")
Best Actress: Raquel Villavicencio ("Bisperas")
Best Actor : Bembol Roco ("Isda")
Best Supporting Actress: Julia Clarete ("Bisperas")
Best Supporting Actor: Jaime Pebangco ("Patikul")
Best Screenplay: No winner
Best Cinematography: Roberto Yniguez ("Bisperas")
Best Production Design: Rodrigo Riccio ("Bisperas")
Best Editing: Benjamin Tolentino ("Isda")
Best Original Musical Score: Diwa de Leon ("Busong")
Best Sound: Diwa de Leon ("Busong")
Kids Treat Best Film for Children: "Patikul

SHORT FILMS CATEGORY:

Best Film: "Walang Katapusang Kuwarto"
Special Jury Prize: "Hanap Buhay"
Audience Choice: "Walang Katapusang Kwarto"
Best Director: Rommel Tolentino ("Nino Bonito")


I wrote blog stuff on some of the films, to wit Bahay Bata, Sayaw ng Dalawang Kaliwang P:aa, Nino, Patikul, Nono, and Amok.   Nothling was written on Bisperas since it was not in my list for besat film in director's showcase. But it turned out that was given tghe balanghai trophy . As some say "Kanya kanyang opinion yan" The judges have their way of seeing the film, obviously we do not have the same perspective.These  films were considered as the embodiments of what Competition director and award-winning filmmaker Laurice Guillen said Cinemalaya's promise of "artistic freedom" — the freedom for the director to choose his subject matter and the freedom to shoot it the way he wants to shoot it.

Last year, i wrote a blog on the  common observation on  the decrease in the number of viewers in yearly's  Cinemalaya. One reason that could have effect on  the turnout is the increase in the ticket prices. Unlike that of 100 pesos per film in 2009, now it is 150 pesos since 2010. For students, even at discounted rate of 75 pesos per film, it is still higher compared to  50 pesos of 2009.

Festival pass hiked from 1000 pesos to 1500 pesos in 2010. Now, the pass has further increased depending on  groupings of films covered: .  Festival Pass ( P2,000)  all competition films ;  Flexi-pass (P3000) all competition films and eight others films and Premium Pass ( P5,000)  for all Cinemalaya films and VIP access to a special lounge where you can use the computers and Wifi, and relax while having some coffee and pastry. exclusive invites to special events and festival parties.This year, for the Festival Pass, you can see only fifteen (15) films, nine for the New Breed , two sets for the Short Films and four for the Dirrectors' Showcase. This is in contrast to the previous year's festival pass that entitles one to see ALL films irregardless of its category. Of course, their marketing slogan is "Buy pass now, Bypass the long line." Another problem with the pass is that it is applicable only in CCP and not in the other venue, Greenbelt Makati.Since i earlier plan to watch some of the films in greenbelt, i decided to buy tickets on a per film basis.I even asked my nieces to buy some of the tickets on students price.

As a fan of various film festivals here (Cinemalaya, Cinemanila, Fiesta), I guess ticket prices has a great impact in audience turnout. In 2009, it was a blockbuster due to the influx of students who paid 50 pesos per film. The increase of Twenty five pesos in 2010 is quite  already high per student standard. And one comment I heard is that “if I will pay 150 pesos for a movie, I would rather go to the movies shown in the commercial cinemas.” On one hand, fanatics say that it is the price for good quality films under the cliche "For Art's Sake". Perhaps, increasing cost of the festival is the primordial reason behind the changing pricing scheme.

 I think, ticket prices is  one of the reasons why moviegoers are being more selective.The economic downturn might be affecting people too. It's a bad time for anything, any kind of activity. A basic economics principle of demand and supply: an increase in the price of non-essential goods will have a drastic effect in the consumption pattern,  to wit the higher the cost the less will be the consumption.

However, the audience turnout for Cinemalaya 2011 debunked my earlier commentaries. There was an early shortage of tickets as most of the films during the first few days of the festival are already in their "SOLD OUT" status. There goes down the drain  my criticism.


In 2009,  I was very vocal that I consider three films” DINIG”,” Last Supper No. 3and ” Mangatyanan.
that can be classified as authentic “independent films”. Unlike other entries wherein real screen actors/ actresses have played major roles in the film, these three films have showcased the talents of newbies.This observation, perhaps, is still holding for this year's festival.  I have this sort of apprehension that there are Cinemalaya films that have deviated from my idea of an independent film, as i have been a Cinemalaya fan since the "Ang Pagdadalaga ni Maximo Olveros" days. For example,  film “ASTIG" in 2009  has quite big stars (Dennis Trillo for example) and seemed to have been using the "powers" of boy abunda as one of its producers.In one website, it was quoted that "the organizers hope that through the festival, young filmmakers will be able to "express their own concepts freely and not be limited by the industry's present condition, where artistic integrity is sacrificed in the pursuit of commercial success."Perhaps, i have to re-orient myself on the .character of indie films based on the recent types of films being shown.

What makes Cinemalaya one of the most awaited event is the fact that many become part of the species called "Paparazzi (singular: Paparazzo)" -  an Italian term used to refer to photojournalists who specialize in candid photography of celebrities, politicians, and other prominent people. I, do solemnly swear, that i am a true-blue paparazzi ...My photos as a paparazzi during Cinemalaya screenings can be seen in my Facebook album "Feeling Sikat"